“There are those who tell me that I survived in order to write this text. I am not convinced. I don’t know how I survived; I was weak, rather shy; I did nothing to save myself. A miracle? Certainly not. If heaven could or would perform a miracle for me, why not for others more deserving than myself? It was nothing more than chance. However, having survived, I needed to give some meaning to my survival. Was it to protect the meaning that I set to paper an experience in which nothing made any sense?” ~Elie Wiesel, Preface to the new translation of Night ![]() It’s a rainy Sunday afternoon, and I’m running low on imagination… which reminds me of the inspiring speech by Julia Alvarez that I attended this week. I’ve been teaching Night at school, the Holocaust account written by Elie Wiesel. While these two events might seem unrelated, Julia Alvarez’s words helped to illuminate the task of making the Night unit meaningful and effective for my students. Night has proven to be a challenging text for me because while I feel strongly about the issues of discrimination and the power of personal strength to rise up against oppression, I want studying the text to be more than exoticism of the Other and fascination with a story riddled with senseless cruelty and endless violence. The students love the text, but to a certain extent, they feel comfortable exploring the cruelty of the Nazi regime and the injustice of the Holocaust. They know it was wrong; they feel assured that they would have spoken out and taken action if they had been there. I want the reading of the text to go beyond them acknowledging the horrible atrocity (though there is certainly value in bearing witness to the suffering and deaths of so many millions). It is my hope that they will begin to realize the biases and intolerance in their own world and that they will take steps toward addressing those injustices. As I'm struggling with this text, in steps serendipity in the form of a lovely and charismatic Dominican American woman. This week at Bridgewater College, Julia Alvarez spoke of the power of stories to change the world. It was a message I needed to hear. She spoke of the Mirabal sisters in the Dominican Republic (a story she recounts in her historical fiction novel, In the Time of the Butterflies) and expressed the way that three sisters (and the story of their deaths as martyrs) brought about the destruction of Trujillo’s brutal dictatorship because of the power of their story. She also talked about the uplifting story that she tells in her most recent publication, the non-fiction book A Wedding in Haiti. Alvarez stated, “Nothing human is alien to the storyteller.” As she explained what she meant by that statement, she illuminated the fact that the storyteller makes it possible for nothing human to be alien to the reader, either. She said that stories help us navigate through our lives and steer us toward remaining “humane”—that they enable the reader to become the Other. She commented that most problems in our world “come from a lack of imagination,” from people’s inability to imagine a perspective different from their own. I’ve been thinking about how to help students have a little more imagination when it comes to understanding others with compassion. We watched the PBS frontline documentary called "A Class Divided" about a teacher, Jane Elliott, who wanted her students to experience discrimination firsthand, so she imposed a rule that “blue-eyed people are better than brown-eyed people.” She enforced the discriminatory system by making brown-eyed students wear collars and by continually proclaiming prejudicial statements that reinforced the paradigm. The third-grade students took to the new system instantly. Two boys got into a fight on the playground, and the boy who did the punching explained that he hit his friend because the blue-eyed friend had called him “brown eyes.” This testimony showed how quickly harmless words can become vicious. We discussed the role of name-calling in discrimination and the damage that derogatory terms can cause. The second day, the teacher flipped the system, explaining that she had lied to them and that brown-eyed people were superior to blue-eyed people. Again, the students instantly absorbed and reinforced the new paradigm. The students who were now on top were vicious and arrogant; those on the bottom were self-deprecating and despairing. The day ended with a debriefing, during which the students confessed how much the oppression had hurt them and how easy it had been to be merciless and cruel when they were the oppressors. The documentary resonated with my students, many of whom wrote thoughtful reflections about the ways that they had treated others poorly because of personal prejudices or the way that they had experienced discrimination firsthand and the pain that it caused them. They made connections to Night and to our world today (especially in light of the media coverage of the Boston marathon bombing). However, when the time came for our Socratic discussion addressing tolerance and discrimination, many students, despite their preparations and all of the notes that they had taken to organize their ideas, were hesitant to speak. A few brave students spoke out, but they were often met with downcast eyes and long pauses before the student moderators found a way to transition to a new question. I hope that they were at least thinking deeply about these issues so that one day, when they witness injustice, they are able to speak. What more can we do to help students discuss these vital issues of prejudice and discrimination? What are you doing in your classrooms to help your students learn tolerance and compassion? Please post your thoughts and suggestions in the comments section.
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AuthorK. Ashley Dickson-Ellison is a former high school English teacher (who is now an instructional technology teacher) interested in exploring the integration of trending young adult literature into the English classroom experience. Ashley is also a member of the podcast Unabridged; check out the podcast site below. Archives
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Please note: All ideas and opinions are my own and do not represent my current or past employers.
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© K. Ashley Dickson and Teaching the Apocalypse 2019. Unauthorized use and/or duplication of this material without written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to K. Ashley Dickson and Teaching the Apocalypse with appropriate and specific direction to the original content. All thoughts and ideas are the author's and do not represent any employer.
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