Quick Summary: The protagonist of Backman’s novel is Swedish seven-year-old Elsa (who is "almost eight"). She loves her grandmother but has a conflicted relationship with her mother. She quickly comes to discover that her grandmother is dying. Her grandmother directs Elsa to deliver a series of apology letters through which Elsa has to come to terms with a very different picture of her grandmother than the one she knew. Backman unveils her grandmother’s connections to the other characters as the story unfolds. (Photo credit: Sara; check out her Meaningful Madness site)
My Take: I found this one a bit slow moving at first, but I quickly grew to love Elsa, and I found myself empathizing with her struggle to understand the way the world was shifting around her. Elsa has to confront the harsh realities of the world, one filled with loss, cruelty, isolation, and unimaginable courage. Although she mourns the loss of her grandmother, she grows to discover the truth about her grandmother's life and comes to love the people who had been precious to her grandmother.
My conclusion: Though I had to warm up to this one, it has left a tender impression on my heart. I'm a fan. I wanted a bit more explanation in places, and I could've used a few more tied up ends, but I really loved it overall. 4/5 stars.
"The mightiest power of death is not that it can make people die, but that it can make the people left behind want to stop living." - This book has some raw moments when it comes to capturing the pain of grief and the way it can entirely consume a person.
"Grow up and be different and don’t let anyone tell you not to be different, because all superheroes are different." - Yes! I love the way her grandmother empowers Elsa to be courageous and to be her own person.
"People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will ‘lessen as time passes’, but it isn’t true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldn’t be able to stand it. The sadness would paralyse us. So in the end we just pack it into bags and find somewhere to leave it." - As I mentioned above, the way that Backman can show the depth of grief is one of the best aspects of this novel.
What I added to my TBR list: Fannie Flagg’s Daisy Fay and the Miracle Man
Sara recommended this one, and it sounded great. I have never read Fried Green Tomatoes at the Whistlestop Cafe, but I grew up (in Georgia) watching that movie. Daisy Fay and the Miracle Man sounds like a captivating story, and I'll be checking it out soon!
Teaching Tips: This would work well as a lit circle book for upper level junior or senior classes. It certainly holds up to analysis and could be grouped with other books about grief, secrets, reconciliation, or coming of age.
Podcast Highlights: I loved when Jenni talked about the Worst and said, "It's a dog. Just call it a dog!" Jen made a great point about the grandmother when she talked about her own grandma and how she was "her person" and she knew that her grandma always supported her no matter what. I also really enjoyed our discussion about the way that the magic in her life changed and faded as she learned more about reality.
K. Ashley Dickson-Ellison is a former high school English teacher (who is now an instructional technology teacher) interested in exploring the integration of trending young adult literature into the English classroom experience. Ashley is also a member of the podcast Unabridged; check out the podcast site below.
Please note: All ideas and opinions are my own and do not represent my current or past employers.
© K. Ashley Dickson and Teaching the Apocalypse 2018. Unauthorized use and/or duplication of this material without written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to K. Ashley Dickson and Teaching the Apocalypse with appropriate and specific direction to the original content. All thoughts and ideas are the author's and do not represent any employer.