They don’t tell you just how much time you’ll spend with your palms pressed against your head screwing up a perfectly good hair day as you mentally spin out a series of chess moves. They don’t tell you that you’ll be sitting in a restaurant smiling politely at your dinner companions nodding along as you pretend to listen while secretly asking yourself, “Does that thing I’m doing with the dog in Chapter Three really work?” ~Libba Bray
First, a confession: my summer is not turning out the way that I had planned. In fact, it is even busier than the school year, and I find myself missing the routine and predictability of school. (Though I’m teaching a summer prep program, I find that it does not have the same amount of routine comfort.) Additionally, as I know other educators do, I find myself feeling frustrated by my inability to get through the millions of projects that I had planned to take on this summer. I imagine you know the feeling all too well. But enough complaints—the point is that I’m working on being more flexible, both with my schedule and with my writing. I had planned to finish another revision of my manuscript by mid-June, and here it is a few days away from July, and I’ve hardly made any progress on the one I started.
As I spent the day last Sunday sweating and panting along a ten mile "strenuous" hike, I contemplated how hiking is like writing. When you’re first feeling your way along a new trail, everything is a bit uncomfortable. The pathway is there, but it can be hard to find and even more difficult to follow. It’s hard to know how to best utilize the bit of energy you have, and at times the task of simply moving one foot in front of the other can feel insurmountable. And yet you keep on trudging, and if you do the same trails multiple times, you learn the patterns of them. Though it doesn’t necessarily get easier, it does get much more manageable. And all of that time putting one foot in front of the other (while gasping for breath, as the case was this last weekend) helps to generate some new ideas.
This is what I’ve learned about the revision process: sometimes revision is not about writing—sometimes it’s about living. Sometimes it is about waiting. Most of all, it is about patience and endurance. I’m a pantser instead of a planner, so I love sitting down with no road map and writing until the story comes together. When I first began revising, I continued the pantsing method, which I wrote about here. However, I’ve finally realized, six months into the revision process, that without some careful planning and mapping, I could be revising ten years from now with little progress. A Google search about pantsing revisions (can you tell that I’m lost?) led me to this awesome blog post, which helped me confirm that I do in fact need to plan, and that a lot of the “revising” that I was doing earlier is still part of the writing part of the process.
As we hiked through the woods on Sunday, I found myself picking my friend’s brain (which is the brain of a bioengineer with a background in physics), and although I did no writing that day, some of the ideas that we discussed will likely have a fundamental impact on the framework for my manuscript. As I maneuvered around rock faces and between crevices, I was struck by the simplicity of ideas, the way they knock you over when you see a slogan you’ve seen a million times or, in my case, when you break the seal on a newly purchased item. I was amazed by the power of brainstorming and working through hypothetical situations.
The struggle with this latest revision has been a long one, and while I was wallowing in the doldrums of I-don’t-know-what-my-framework-is, a friend shared another great blog post by Libba Bray about the process. I found this one, aptly titled "On Writing Despair," incredibly consoling as I clutched my little laptop and stared at the screen for an extended period of time. It’s long, and funny, which goes a long way when you’re in the midst of the doldrums. The best part of that post is the fact that there is no clear solution. There is simply endless struggle to find and tell the story that is there.
As we came down the mountain at the end of the ridge hike last weekend, I found my mind drifting toward simple things like water and butterflies and deer. My story and all of our brainstorming faded into the back of my mind and I focused on my breathing (which had finally transformed from the harsh panting to a calmer breath). I let the ideas bounce around in my head, unattended, and I have let them continue to marinate this week as other tasks have taken my time.
And so, as summer stretches on in ways that are fun but fundamentally different than I had planned, I am working on being flexible and on forgiving myself for not meeting every goal I have set in place. I'm learning just how accurate the term process is when it comes to writing, and I'm realizing that many factors impact that process.
"that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has returned to dust, and I know the sun will swallow the only earth we'll ever have..."
© K. Ashley Dickson and Teaching the Apocalypse 2018. Unauthorized use and/or duplication of this material without written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to K. Ashley Dickson and Teaching the Apocalypse with appropriate and specific direction to the original content. All thoughts and ideas are the author's and do not represent any employer.